Growing up Jesse Faiden or why make pi-piu in Control so fun

Just yesterday I played in the sandbox, and then bam! University Bats! Job. You live yourself, do not touch anyone and such a setup. I still can’t move away. In general, like all of us. I found a game to my liking. And now I will prove that Control is a plot and he is about how to stop pouring snot for a past childhood and take everything under *drum fraction* control.

Here spoilers to the whole game will be clear only to those who played.

History begins with young Jesse and Dylan in the orderly. Handy children found a projector at a landfill and met through it with Polyaris and with a “non-mother”. There is a paranormal shnyaga and, as a result, brother and sister are shared. After 17 years, Jesse becomes the director of the organization. A little plot occurs: the main character finds his brother, gives Lulei badges and accepts herself as director of the Federal Bureau of Control.

In fact, not much of Jesse. She almost immediately became the director and did it, and then the game ended. Just like in our adult life. Children’s garden, university, mortgage and death. Exaggerate tears, now I will reassure.

We meet the senior Faiden in the prime. We know that she is 28 years old from ordinary (sorry a free translation), she worked who she would have, she will not be special or actions for her are not listed. It is a definition of the stage of late youth (aka adult in the modern sense) by Erickson. During this period of life, a person masters two types of activities: work and family life (he had more about romantic relationships, but we will find it now). In the beginning, Jessia is bad with everything. She lost the only relative, and from the role of the director, he rejects in every possible way. She has only a goal, the dream is aka a guiding star. As we at the end, even Polyaris did not have a body, this is a more abstract idea (I will later tell you why this is important).

When we become adults? No, not with the first loan. And when we become responsible and take our life under * drum fraction * control. A child is mischief. Create what you want, the worst thing is to put a walk. You can work out later, the loss is not great. Such instability is fun, but you can’t go far at the “childhood in the pope”. Sooner or later comes the moment when you have to go to work and do boring things every day.

Jesse is faced with such a metaphor. Boring office, a bunch of pieces of paper, calls from the authorities. Meaningless and uninteresting, but we must do. Not just like that, our director interacts with the diskette, letters, shredras. When you are stupid at the workplace, the thoughts somehow come up where or in whom telekinatically mare monitor.

But I thickened the colors when I said that adult life is a muddy. It is only boring if you only want to have fun or just do nothing and get money for it. In fact, true adulthood comes when in a monotonous business a person can find something interesting for himself. In other words, do not score at the request of the child inside us to go to play, but sincerely interested in what we are doing. I work in a place similar to the Federal Bureau of Control and I do not like part with reports, but customer advice brings me pleasure. When a guiding star is not some kind of external reward, but internal motivation. That is why it becomes an important plot of the moment when Jesse understands that Polyaris is in her head (we call this interiorization).

The whole game about how something ordinary, ordinary, boring becomes special. From Jesse with her simple archaic design (except red hair) to the architecture of a typical office of all FBK.

The song “Take Control” confirms my plot interpretation. The beginning is a description of the plot, and the end is pure feeling of feeling when you are going to do your favorite thing. This is exactly what a person who enjoys work is experiencing.

A Ring Sense of AWE and Wonder

Growing feeling of trepidation and surprise

A might i see has always Been Deep with ME

The possibility that I see – they always doze deep in me

I Can Feel My Inborn Power

I feel my innate force

I Call The Shots Wen It’s All Finally Clear To See

I give orders when everything becomes clear.

About the child inside an adult who likes what he does.

And so I’M Drawn Ever Deeper

And so I plunge deeper

In the Oldest House and All these Empty Rooms

To the oldest house and these empty rooms

This Vacant, Spellbound Mystery Motel

In this mysterious lone motel

Here who has some place of work. Who has a motel with riddles, and who has a desktop with a computer.

What i’m the Keeper, What I Set the Rules

Where am I the Keeper, where I set the rules

Potency is My New Reality

Potential is my new reality

Polaris Living Now Inside of Me

Polyaris now lives in me

I control

The same interorization. And also begins with “Take Control” (take control) And gracefully finishes “I Control ”(I control).

The moral of this fable is this: if you sometimes do not want to go to work, this does not mean that you don’t love her. In the process you begin to get involved.